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The most provocative thing about "Brokeback Mountain" isn't the gay sex (though there's some of acting that), but the casual and entirely unexploitative treatment of the intimacy between these two men. Lee concentrates heavily on the sorts of solitary male bonding activities that Westerns have acting always shown, with varying degrees of homoeroticism. There's wrestling, naked cliff-diving, late night cuddling by the fire with harmonicas and all sorts of fun with lassoes. And then there's making acting out. McMurtry and Lee don't approach the material with a voyeuristic eye and they don't treat Gyllenhaal and Ledger as "brave" for doing a movie of this sort. Gyllenhaal and Ledger are brave not because they risk conservative condemnation and stubble-burn to kiss a little, but because of the emotional extremes that the characters are pushed to.
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